Search results for "Musical Discourse"

showing 2 items of 2 documents

Meanings of travel in the musical discourse of blues: Roosevelt “Grey Ghost” Williams and “Lonesome Traveller”

2016

El objetivo de este artículo es investigar, desde una perspectiva comunicativa, socio-semiótica y etnomusicológica, la construcción de sentido sobre el viaje y el estilo de vida itinerante (hobo) en el discurso musical del blues. Primero realizaremos una contextualización histórica del viaje en la tradición afroamericana, y después analizaremos el caso del legendario músico texano Roosevelt «Grey Ghost» Williams (1903-1996) y de su composición «Lonesome Traveller» («viajero solitario»), en la que se representa el sujeto y estilo de vida hobo (trabajador migrante y sin hogar). En ese proceso, discutiremos el sentido del viaje como imposición y el sentido del viaje como signo de independencia…

TravelDiscurso MusicalDiscours MusicalVoyageAfrican-American CultureGrey GhostMusical DiscourseHoboCulture Afro-AmericaineArte. GeneralidadesCultura AfroamericanaBluesCiencias de la InformaciónArteViaje
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Du verbe instrumental dans la musique subsaharienne

2021

Sub-Saharan music results from the spoken language/instrumental language relation, directed by an oral culture. In this culture, these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals, or is used as a true meta-language copied on the articulated and usual language used every day. Here, an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASan instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Worddetermine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject. 145 1642386-8260 13268 ItamarApollinaire Sub-Saharan music results from the spoken language/instrumental language relation:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka [revista de investigación musical]these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individualsdirected by an oral culture. In this culturecontextual and expressive parameters that underliethe musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technicalor is used as a true meta-language copied on the articulated and usual language used every day. Hererevista de investigación musical: territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka
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